Friday, March 21, 2014

Khushwant Singh, The Original Idol

Sometime in 1990, the magazine of the now-defunct Sunday Mail carried a cover story on the writer Khushwant Singh. The cover picture showed the writer seated comfortably on a sofa, his feet resting on a cane stool (moda) placed horizontally, with book-lined walls serving as the backdrop.

I suddenly wanted to be Khushwant Singh. There was a sofa at home. Getting a moda wouldn't have been a problem. But how was I going to get the persona? How was I going to acquire those book-laden shelves? And even if I was going to sit on the sofa and place my feet on the moda, pretending to be a Khushwant Singh, what was I going to do sitting like that? I wasn't even 20 at the time, and was unsure where my life was actually headed, even though I nursed ambitions of becoming a journalist someday.

The ambition to be a journalist had come early, because my father was always a member of some 'magazine club' or the other at his office and would bring home almost every English and Hindi magazine that was being printed at the time. I grew up turning their pages. Many of them no longer exist today: Illustrated Weekly of India, Sunday, Probe, Mirror, Onlooker. By the time I was 17, I was spending more time reading these magazines than textbooks. But journalism wasn't a career option in the society I grew up in.

In the society I grew up, the career options were as follows:

A. Medicine
B. Engineering
C. Armed Forces
D. None of the above.

If you ticked D, you were considered a loser -- good for nothing. This is not to say that journalists were considered losers; it's just that no one among the people I grew up with ever seemed to think that journalism -- or for that matter advertising or marketing -- could be a career. The concept of marketing -- the most highly-paid profession today -- was synonymous with medical representatives impressing upon doctors to precribe their brand of drugs. Creativity, since it did not see you through an engineering entrance or earn you a stable job, was more of a curse.

From the time I wanted to become a journalist till I actually became one, I sat through several engineering entrances, knowing fully well that I was going to flunk. But I sat through them only to please my parents and my inquisitive neighbours: 'at least the boy is trying.'

At times I really wished I got through one of those entrance tests, because every other evening, my father would return from work with news that the son of some colleague or the other had gained admission into a prestigious engineering college. While my father would convey the news in a matter-of-fact manner, my mother would always take it personally: she would get hysterical about me not studying hard enough. The entire evening would be ruined, with my mother often refusing to cook out of sheer anger. She would blame my father for not being strict enough with his sons.

It was during this period of uncertainty that the copy of Sunday Mail -- with Khushwant Singh on the cover of its magazine -- got delivered at home. The cover story had been my first formal introduction to the Dirty Sardar, who wrote freely about Scotch and sex and seemed to have all the fun in the world. I remember my father -- unlike my mother, he idolised journalists and writers -- telling me at the time: 'Do you think it is easy to be another Khushwant Singh? It calls for a lot of hard work.'

And so the dream took root. For a long time, even after I became a journalist, I wanted to be another Khushwant Singh. He was my idol. Soon I outgrew him and wanted to be another Somerset Maugham. Soon I outgrew Maugham and wanted to be another Hemingway. Soon I outgrew Hemingway and wanted to be another Bruce Chatwin.

Even as the process of outgrowing idols continues, Khushwant Singh remains the original idol. It all began with him. He may have breathed his last this morning, at the age of 99, but he breathed life into Indian journalism like no one had before -- or after him. His soul will rest in peace.